Sin El a Horror Thriller, was released to theaters on June 20, 2025. Directed by Emilio Martínez-Borso, with a script Written by Emilio Martínez-Borso, the Antumbra Films & Dèria Films presentation was produced by Emilio Martínez-Borso. The movie has a runtime of 1 hour and 12 minutes.
Sin El 2025 Movie Overviews
| Movie Name | SinEl 2025 Movie |
| Original Language | English |
| Release Date | 20 June 2025 |
| Runtime | 1 hour and 12 minutes |
| Country | Untied States |
| Genres | Horror Drama |
| Writer | Emilio Martínez-Borso |
| Director | Emilio Martínez-Borso |
| Producer | Emilio Martínez-Borso |
| Production Co. | Antumbra Films & Dèria Films |
Sin El 2025 Movie Story
Sin Él,” a 2024 Spanish thriller directed by Emilio Martínez-Borso, follows Inma, a nurse in her forties, grappling with a harrowing situation. After a health crisis, emergency services deliver the corpse of her partner, Jairo, to her home, revealing he was her abuser. Forced to coexist with his body for 48 hours, Inma confronts a psychological and emotional nightmare. The film delves into her trauma, blending elements of horror and thriller as her reality unravels. With a runtime of 72 minutes, the story explores themes of abuse, isolation, and resilience, set against the backdrop of a confined, oppressive atmosphere. The narrative’s intensity is driven by Aleida Torrent’s compelling performance as Inma.
Sin El 2025 Movie Star Cast
| Actor/Actress | Role Name |
|---|---|
| Juan Pablo Raba | Elías |
| Cristina Rodlo | Gabriela |
| Adriana Paz | Clara |
| Patricia Reyes Spíndola | Madre Superiora |
| Ricardo Abarca | Padre Marco |
| Harold Torres | Inspector Beltrán |
| Dolores Heredia | Sor Magdalena |
| Tenoch Huerta | Padre Esteban |
Sin El 2025 Movie Review
Sin él is a compact, intense thriller that leverages its unsettling premise to delve into the psychological aftermath of abuse. The film’s short runtime works to its advantage, maintaining a tight grip on tension without overstaying its welcome. Aleida Torrent delivers a compelling performance as Inma, portraying a woman grappling with grief, fear, and suppressed rage in a confined setting. The claustrophobic atmosphere, enhanced by María Muñoz’s cinematography, amplifies the sense of entrapment, mirroring Inma’s emotional state.
However, the film’s minimalist approach and reliance on a single-location narrative can feel limiting at times. The script, also written by Martínez-Borso, occasionally leans on familiar thriller tropes, which may leave viewers wanting deeper exploration of Inma’s backstory or the broader implications of the health crisis. The supernatural or psychological ambiguity hinted at in the synopsis doesn’t fully materialize, potentially disappointing those expecting a more genre-driven horror experience.
Critically, Sin él has not yet garnered widespread reviews (based on available data), but its 6.1/10 rating on IMDb suggests a mixed reception, likely due to its niche premise and restrained execution. The film’s strength lies in its raw emotional core and Torrent’s standout performance, but it may not fully satisfy audiences seeking a more polished or expansive narrative.
